Snipped Scales: A Practical Guide to Improvisation

  In my last book, 'The 6th of the Scale', I pointed out how Scott Hamilton and Harry Allen often omitted the b7 of the minor and the dominant scales. Omitting the b7 gave us a fresh sound. if we omitted more notes and made one or two alterations to the scale how would that affect the sound of the new scale?
Let's see...

30 pages